When I started writing, I thought it would go like this:
1. Write a book
2. Sign with agent
3. Agent sells book immediately
4. Stay humble despite success
Yeah. That's not exactly how it goes. Well, not for me anyway. But I'm sure that works out for some people. For most of us, there are several more steps involved-- including a lot of rewriting, editing, handling rejection, trying again, etc. But the most surprising part for me is how often I have to reach out to others because in today's digital world, you are not just an author. Not if you want your books to be read. My original intention on Twitter and Facebook was to connect and get to know people. Fortunately, I've managed that part but it doesn't mean that I like what came next...realizing that I needed to ask for help.
Because, let's be honest, everyone is busy. Despite being on the computer OFTEN, a writer will tell you that it isn't just to write. It's to market, promote, research, edit, learn, read, make connections...there is so much more than writing involved when you work toward publishing a book.
So, my journey looked a little more like this:
1. Write a book
2. Get book rejected several times
3. Try again with a new book
4. Repeat step 2
5. Repeat step 3
6. Get an agent
7. Get a previous manuscript accepted by a publishing house
8. Edit. Edit. Edit. Edit. Edit. Edit.
9. Get ready to promote
10. Try not to be annoying
This is where I'm at. I have three books coming out in the next two months. Two in February and one in March. One is co-authored, a follow up to the Christian romantic suspense I wrote with Kara Leigh Miller. It's called Jaded Love and will be out February 23rd.
Falling for Home is a story I wrote a while back, that I was particularly fond of. It was requested by agents but it wasn't the one that landed me an agent. Still, I found a home for it with Penner Publishing. This releases February 9th.
The March release is called Damaged and also found it's home at Penner Publishing.
With three books coming out so close together, I'd really like to not have people dread seeing or hearing my name. I'd rather have people think things like, "Wow, her book is really good. I should read another" than "$%##, if she tweets/posts/says one more thing about her books I'm going to virtually slap her." I'm sure you can see why I'd favor one over the other.
It was important that I not inundate people with requests and favors but to some extent, I had to. If I don't tell you about my books and you don't tell others...they're just going to be stories my mom and best friend have read. But I cannot have three back to back Facebook parties as promotion. On top of being just too much, I think it would lessen the impact; become redundant or tedious.
But one is alright. If I could plan one successfully and get some other (cooler) authors to pitch in. And therein lies one of the hardest things: asking people you "know" and are "friends" with to help you. Think how hard it is (for some people) to ask for help in real life. A friend of mine recently broke her elbow. I found out almost two weeks later and felt horrible. I asked why she didn't call? Why didn't she ask for help? Because she knew we were busy and didn't want to ask. SOMETIMES YOU HAVE TO ASK. Though I hope helping me promote my books and get readers isn't as bad as a broken elbow, it's still hard to put yourself out there. Even if you'd do the same for them, it's hard to make that request on someone's time (more if you're asking them to giveaway one of their books).
One little instant message or email after another, I started to ask writers I engage with on Twitter and Facebook if they'd help. My nerves didn't lessen each time I asked. It didn't get easier and my response every single time was something along the lines of "OH MY GOODNESS? SERIOUSLY? YOU'LL HELP ME?" I stopped short of saying WHY would you help me because I didn't want them to rethink it.
But here's what I think. They're helping me in some sense because it will promote their own books-- they'll touch base with readers, tell us about their releases, and maybe do a giveaway which ups their own fan base. I really don't think it's the biggest part though. I think that these people are just kick-ass, over the top awesome. They're nice and they're kind and they're giving because THEY'VE BEEN HERE. I have received countless messages from other authors, answering my questions, helping me, and guiding me. I have laughed with, chatted with, and commiserated with some truly incredible people. People I've never met. Might never get to meet. But these people have had a huge impact on my writing life because they are or were there when I needed them. I can't tell you how much this matters and not just because I don't want to have a Facebook party where I'm all by myself, but because it's a lifeline.
It's not easy to keep going some days (with writing I mean). The waiting involved in this industry is HARD. It makes me think of the book by Dr. Seuss, "Oh the Places you will go". Publishing can feel like The Waiting Place. And it's always nicer to have someone by your side who knows how hard the waiting and wondering can be. Someone who, when you need them to, steps up and says, sure I'll help you. Someone who knows what a celebration it should be that you wrote a book and SOMEONE IS GOING TO PUBLISH IT.
I asked several authors if they'd be willing to join in on the party. MANY said yes or that they'd try. I don't even know why, but instead of questioning why they're willing to take time out of their busy schedules, I'm going to just be extremely grateful. I think the best way to show that is to give back what's meant so much to me. Time. Acceptance. Kind words. Support. It's really hard to put yourself out there, but you don't have to do it alone. Every step of this journey requires bravery. Writing the book. Looking for agents or publishers. Revising. Getting critique partners. Interacting. Asking for help. All of it. But like so many other things in life, it can surprise you and be even more than you hoped for.
If you're around on February 9th, 2016 between 6 pm and 9 pm, come by my release party for Falling for Home on Facebook. You don't even have to dress up and you won't be able to see that I'm in my pajamas. Best kind of party. I am extremely thrilled to say I'll be joined by Amanda Heger, Kara Leigh Miller, Jennifer Blackwood, Shannyn Schroeder, Dawn Ius, Kelly Siskind, Harper St. George, A.J. Pine, Joanne Macgregor, and possibly Carly Phillips and Karma Brown. There'll be some great giveaways and lots of chatting about books, romance, and writing.
Everything they say about finding the right agent for your work is true, so
The thing about coming out of the query trenches, is you quickly realize, if you've made the right match, that everything your writing peers tell you is true. While you're sending off your query, balancing your heart between hopeful and blind optimism, you think people are just offering platitudes. You've heard them: 'it only takes one', 'you're better off with no agent than the wrong agent', 'it'll happen'. Every request for a partial or full sets you up to believe all of the good and every rejection knocks your feet out from under you.
Those authors who have not found their agent soul mate might find it hard to believe that someone who is agented "gets it". But they do. They really, really do. Because they're at a different stage but it's very much a similar journey. Going on submission is much like querying, only you have someone at your side through the process. I'm not going to lie, that part is nicer. It's nice to have that fallback of, okay, I got a rejection but this person believed enough in me to sign me. It takes some of the sting out. Every writer who has achieved success (and that measure is different for everyone) has been where you are right now-- wherever that is.
But what everyone tells you is true: it does only take one, it is better to find the right one, and it WILL happen.
I've gone about learning this the long way. My querying journey has been a bit...unique. I have experienced having an agent I was not properly matched with and the disappointment of parting ways-- even when I knew it was the right move. This journey isn't an easy one: it can be hell on your self-esteem. That's why the people you surround yourself with (IRL and online) matter so much. You need people that will build you up, help you up when you fall, and keep pushing you. You need to do the same for them because whether they're unagented, agented, self publishing or on submission to big publishing houses, they will have their moments of teetering on the edge too.
We're all on that ledge, repeatedly, wondering whether to keep going or give up. But only one of those options can possibly lead to success and I can't tell you how happy I am that I kept going, kept writing, kept pushing down the feeling that I might not be good enough. Because what makes you good enough is your willingness to keep going.
Want some stats as proof? For the book that finally got me an agent (one I'd wanted for quite some time-- which could be another post in itself, titled: establish and maintain connections and relationships because they matter-- okay, maybe that title is too long) I actually tracked the process this time:
47 queries sent = free
4 partial requests = optimism
8 full requests = nail biting
34 Nos or no responses = grumpiness
1 agent (the RIGHT one) = PRICELESS
When it finally happens? You'll be like: Yup,
Surprisingly, the hardest part of writing, is not writing. In Amy Poehler's Yes Please, she titles her preface "Writing is Hard". But even as she talks about this, she says she can write a scene or skit in record time. Because putting the words down on the page is not always the most challenging part. It's everything that comes with it, after it, that can be soul-sucking hard. But if you want it, like really want to hold your book in your hands (and yes, e-books count), you have to accept that no matter how easily the words come, there is so much more to writing a story than getting words on a page.
Not gonna lie: EDITING IS HARD. It feels like putting together a 1000 piece puzzle, knocking it over, and starting again. But not being allowed to put the pieces back in the same order you did last time. And maybe not using all of the same pieces. And maybe not even using the same puzzle. Sometimes it's like scrapping the first puzzle, except for the corner pieces, and going with a brand new one. You're not even sure it's possible to do that. Because IT'S HARD. But it's satisfying to see something that you love, a piece of you, become something more, something bigger. Something that elicits all of the feelings in your readers that you meant to. And, rarely can you do that the first time around.
Making connections without being annoying
I'm still working on this one. I've made so many amazing and wonderful connections and I don't use those words lightly. The people I've met since I started writing are so supportive- offering advice and feedback and direction. I've developed what I know will be lifelong friendships with many people and there are many that I truly hope to meet in real life. However, I often feel like the tag along, the third wheel, the annoying girl who asks a deliberately complicated question in class when the professor says you can go early if there's no more questions. NO ONE HAS MADE ME FEEL THIS WAY. Which reminds me that my biggest problem is that I find myself annoying. I can't get out of my brain and it would likely be awkward if I did. So I annoy myself and then read into every little thing that means nothing and end up annoying myself more. Make connections. Be yourself. Chances are good, most people will like us just fine. Trust them. They're cool people that you admire and they don't have to help you. Most people engage and connect because they want to. And if you're genuine, open, and considerate, there's really no reason that they would find you a nuisance. Unless you're being annoying.
Listening to feedback AND ACTUALLY USING IT
This is a funny one because I didn't think I was bad at listening to or using feedback. When someone would say that I might want to change something or rethink it, I'd simply tell them why that's not what worked in my story. I listened. I heard. And they were wrong. I have improved in this area. Mostly. It is hard to take feedback and even harder to change things in a story that matters to you. But those people above, that you trust and admire? If they're willing to give you their opinion, listen. If your best friend is an insatiable reader and gets stuck on your plot line and wants you to succeed so therefore mentions it, LISTEN. You don't have to take all the advice or everyone's advice. But you have to be open about accepting constructive criticism if you really intend to grow and actually want to sell your work. If you believe the support group you have wants the best for you, then trust them. But trust yourself too. Ultimately, the story is yours. But if you plan to share it, you have to see it from other points of view.
I write notes to my daughters on their bathroom mirror every week. Sometimes I use erasable marker, sticky notes, or scraps of paper. Words matter. I love them. So I share them with my girls in this way and many others. This week I wrote, "If you tell yourself you can't do something, you won't. So tell yourself you can." That sounds all poetic and inspiring (and hopefully they're not someone else's words-- if they are, thank you for the quote) but if you were to check my iMessages, Facebook messages, or Twitter direct messages from this week, you would see the irony in ME writing that quote. Because in the last couple weeks, I've told myself repeatedly that I can't. Amy Poehler has a chapter about the plain girl versus the demon. The demon is the voice we all have that makes us feel negative about ourselves. (BTW: this is such an awesome chapter of writing. You should read it.) The thing about that voice is, you have to make them be quiet. They won't all the time, but you at least have to try to talk over it. One thing I realized is that I was measuring my success in the wrong way. Instead of letting all of the things that are happening sink in, instead of truly celebrating, my mean voice keeps telling me all of the things I have not yet achieved. I have a book coming out in April with my co-writer, Kara Leigh Miller. We have a second one coming out later in the year (if she'd just focus-- don't worry, that wasn't mean. She will laugh). And I have a picture book coming out in January 2016. My mean voice shouldn't get to talk for a few months at least. But it interrupts me constantly. We have to not let it.
There are thousands of quotes online about failure making you stronger, about great people before you who did not succeed the first several times they tried. Those stories are there for a reason. Instead of getting caught up in the fact that you got rejected, it's time to start asking why. I'm looking back now at a story that I love and was very personal to me. It got lots of attention and several full requests. But it ultimately got rejected. There is absolutely no point in focusing on this detail. Instead, I have to look at WHY and change it. So I'm going to go do that and if it still gets rejected, I have to decide if I want to shelve it for a while. I didn't think I could handle rejection well. But I'm doing okay. It really doesn't break you. If you want it badly enough, rejection will make you fight harder. Except on the days that it just completely sucks and you can't stay positive. Then you turn to those people that have all been there, the ones who will support you and pull you back up. Not too long ago I messaged a lovely writer friend and I didn't even say I was going to flat out quit. I was just being miserable and sad. And her message said: STEP AWAY FROM THE LEDGE. It made me laugh and I thought, not only does she get it (because that's exactly what it felt like) but she's right there. Be that person for someone else. I feel so lucky to have those people that help me face it and move on to be better. And, they make you laugh. That fixes a lot of things.
Other than actually putting the words on the page, what is the hardest part for you?
sub·jec·tiv·i·ty [suhb-jek-tiv-i-tee] noun, plural sub·jec·tiv·i·ties for 2. 1. the state or quality of being subjective; subjectiveness. 2. a subjective thought or idea. 3. intentness on internal thoughts. 4. internal reality.
I never know how much to say about anything because sometimes you learn lessons too late, after you've already made mistakes and I don't like the idea of wrecking something for myself before it even happens. Every rejection letter that you get probably has some variation of the phrase "please continue to send your work out as my opinion is subjective". You try really hard to believe that; to tell yourself, it's just not right for that agent. Sometimes though, it's hard to keep going when that subjective opinion seems to be shared by more than a couple. It's important during the times that you feel like this to reach out to the people that will push you forward. Also, to remind yourself why you write. You also have to keep telling yourself that it really, really, truly, absolutely IS subjective. Even though I let myself believe otherwise last week, here's a look at my week to show you how I was reminded.
Monday: a kind letter from an agent saying that I write well but she didn't connect. Okay, I can handle that. I can focus on the "you write well".
Tuesday: a "your work isn't right for us" letter. Okay. Fine. Played on Facebook, connected with writer friends to remind myself that this industry is subjective. Was asked to do a review by someone I respect immensely. Okay. Because I can write. Right?
Wednesday morning: a "thank you for submitting to us but your work isn't what we're looking for" response to an email I sent YESTERDAY. Wow. Okay. Um. Maybe I need a new hobby? Or I can just read. All the time.
Wednesday evening: letter in the mail (like in an envelope and everything) from Blue Mountain Cards. The letter told me that one of the poems I had written had been chosen ("among hundreds") to move onto the next stage.
Moral? It really is a subjective industry. Overwhelmingly so. What can you do? If it matters to you, keep going. Keep writing. Connect with other writers because they have the same stories that you do. If you want it bad enough, you have to keep pushing ahead. Remind yourself of what you have done. Write it down and look at it so that the next time you wonder if you don't understand the meaning of subjective, you can read over this list of achievements and feel good. Because regardless of anything else, if you're writing, if you're connecting with other writers and improving, learning to be better, becoming better, then you are succeeding. And eventually, that persistence is going to serve you well.
There are so many things happening around me right now that are out of my control that it feels impossible to sit still and encapsulate how I feel about that fact. Twitter and Facebook have been abuzz with #yesallwomen and I want to weigh in but I'm not sure how to summarize all of my feelings so I basically just read the hashtags all week. Because yes, I think, all women, but I also think, all people. We all have a fundamental stake in being good people. To others and to ourselves. Every day, we should be the kind of person we would want our kids to be proud of, be the kind of person we want them to be. And if you don't have kids, then be the kind of person you'd want to be friends with. The kind of person that you would count on. One of my favourite quotes (ever) is "The only person you should try to be better than is the person you were yesterday." We get a blank slate every day to right wrongs, make better choices, be better people. Women and men. Kids and Adults. All of us.
Something else weighing heavy in my mind is the politics surrounding teaching right now. It's horrible. It's horrible to watch and horrible to be part of. When you become a teacher, you want to work with kids. You want to make someone's life, day, next ten minutes just a little better. You want to see them succeed, get over the hurdles, and achieve their potential. There are a lot of deterrents in that path. There are crowded classrooms, higher needs, budget cuts, and mountains of curriculum. That's not what bugs me though. And no, it's not the wage either. What bothers me is the overall shift I'm seeing that makes me think that people are devaluing teachers. Not all, maybe not even most, but some. Margaret Mead says “Never doubt that a small group of thoughtful, committed, citizens can change the world. Indeed, it is the only thing that ever has." I love this quote and find it quite true. The flip side of it though is that a small group of people committed to making you see the negative can actually create change too. When I was growing up, I loved a lot of my teachers. There is an undeniable bond, for most people, between themselves and a least one teacher in their memory. While we were on strike today, we talked about who that one teacher for us was. For some it was their home economics teacher. Others, it was their Language Arts teacher. For me, it was my high school drama teacher. Whoever it was, it is very likely that you had a teacher touch your life in a positive way. Teachers shape us, spend time with us, watch us grow, notice when we surpass our own expectations, applaud us, push us back up when we fall. When I was little, we studied community helpers: police officers, firemen, doctors, and teachers. They were people you could trust. People that wanted to impact someone else's life in a positive way. We still matter because your kids will always matter. They are the next generation that will make choices based on the core values that we instill in them, together.
The last thing that is on my mind is the Book Expo of America. I'm an odd person in that I am intensely jealous of all the wonderful people that I "know" who are there now, walking the aisles with Rainbow Rowell, Neil Patrick Harris, Jeff Kinney, and so many more. I wish I were there. But then I think, what would I do if I were there? Most likely, I would freak a little at the thought of talking to these people. I'd be ultra nervous and quite certain that every wrong word ever invented would come out of my mouth at exactly the wrong time. I would laugh too loud and babble incessantly. Someone who was brave enough to say that yes, they were actually with me, would smile politely and yank on my sweater sleeve, trying to save the poor person I'm talking to. This is why my interaction is better online. The delete button doesn't work in real life. Which brings us full circle-- #yesallwomen, #yesallpeople because the delete button is not an option and we don't know what word or gesture, attitude or comment will impact the person around us, or how. We all matter. It's important that we not only remember that, but teach it to the next generation-- to your children, your friend's child. Manners still matter, thoughtfulness isn't out of date, thinking before you speak never goes out of style. And you really don't understand someone until you've walked in their shoes. So instead, walk beside them, without judgement, and just do your best to keep moving forward.
Sorry if this was just straight up rambling, but I did warn you in the title that it was #allthethings
I am in no way an expert on anything...like anything at all. But I have learned a few things in the last couple of years that I wish I had known when I started thinking I wanted to get an agent or publish a book. Most of the things I've learned seem like common sense, but surprisingly, in the excitement of getting recognition for something that is so personal, we often forget what we know is just good etiquette. Along with that, I've fallen into a few 'things' that I've been fortunate enough to have far smarter people than I help me navigate my way through. So here's a pieces of not-advice-but-something-like-it from someone who is still finding their way.
If you wouldn't say it to someone's face, why would you say it online? You would absolutely think that this is just an accepted truth. However, the internet gives us a certain anonymity (or so we THINK) and there are times when people type before they think. Don't do that.
The only way you get better is by listening to the advice of others. Not everyone, but someone. You have to choose a tribe of people that you trust. That you know want what's best for you, will be honest with you, and can handle you at your worst. If you have people like that, who will read your writing and be brutally honest, with the best of intentions, then trust them. At least enough to truly consider what they're saying.
No agent is better than the wrong agent. This one sucks but it's true. These people are entering a relationship with you. Would you go into a bad relationship, JUST to be in one? There was a time I would have said yes, but as you get older, you learn to care more about your own well-being, Writing is no different. You want someone to be your champion and I am completely convinced (most days) that the right agent is going to be worth the wait.
As in life, envy gets you nowhere. It's easy to be jealous when you hear an announcement from other writers or from agents you stalk- I mean follow. But the thing is, you don't know their story. You don't know how hard their fight to get to where they are was and most of all, if they got there, then they probably had some pretty phenomenal writing. It's too hard to get somewhere in this world if your writing doesn't rise above. So they deserve it and it doesn't make you deserve it less. And, their success doesn't lessen your chances or your talent.
Go with your own style. I've been trying my hand at plotting and it just doesn't work well for me. For the co-authored book I'm working on, yes. But for my own writing, I just can't do it. At least not yet. I like to get lost in my writing and having to plan it all out first, throws me off track. I can always go back and edit and make plot points along the way. As much as I hate the term, I'm a pantser at heart. That's not right or wrong. It's just what works for me.
There's more. There's always more. But that's it for now. Nothing we do is foolproof. There's no list or step by step manual to succeed. There are things you can do to make the ride smoother but basically, you have to do what you should be doing in your life: be who you are, to the best of your ability and hope that good things come to those who wait...politely.
I like lists. I like making them, looking at them, and checking them off. Here's a list of ten (writing related) things that happened to me this year that mattered:
10: I received over one dozen partial and/or full requests from agents since May (I am still waiting to hear back from 5 for one manuscript and 1 for another manuscript)
9: I had my blogs read by real authors like Ellen Potter and Tanya Lloyd Kyi.
8: I sat in a room with Diana Gabaldon, Michael Slade, and Jack Whyte for an entire evening. I didn't say much but I nodded like a fool and didn't hide in the bathroom.
7: I connected with an amazing group of fellow writers via Twitter, such as Brenda Drake, Jessa Russo, Rachel Pudelek, Roselle Kaes, Lauren Spieller and so many more I'm probably forgetting but not because they aren't awesome.
6: Rainbow Rowell and Jill Shalvis tweeted me and The Bloggess followed me. All three events made me inexplicably happy.
5: I read Elenor and Park. It matters. It made me want to be better.
4: I met this truly awesome agent that I won't name. She might not be my agent, but she became my friend, which is pretty cool all by itself. Turns out agents are real people.
3: I found critique partners and new friends, Tara and Kelli, that will go beyond writing and be part of what makes 2014 special.
2: My story, A Not So Lonely Christmas, was published in Foreward Lit's anthology, Holiday Spice
1: I self published Forever Christmas via Amazon
Christmas is only ten days away. As the Grinch would say, "it's practically here." It's been seven days since I self-published Forever Christmas and I wanted to say thank you to a number of people (it seemed like a good time to show some appreciation) I don't really need to thank my husband and kids because they don't read the blog and also because I do that every day. It sounds something like "Thank you for putting up with me."
I'll thank my very best friend in the universe and beyond, Brenda, because she does always read the blog. And while she might point out a missing comma or spelling error, she is endlessly supportive. Not just of this: of everything. Always.
I have been fortunate to meet a number of people that have picked me back up where my writing is concerned and perhaps even when it has nothing at all to do with my writing. Those people include Tara Creel, Ruby Knight, Michelle Johnson, Lauren Spieller, Caitlin Rantala, Rachel Pudlek, Katie Bailey, Carolyn Hart, Brandon Jay Mclaren, Brent Mclaren, Brenda Drake, Jessa Russo, Mandy Schoen, Roselle Kaes...there's more. But these are some of the people that have poured over my work for me, retweeted me, supported me, believed in me, and made me feel like maybe, just maybe, I might get somewhere with my words. And if I don't? Well, I'm still pretty lucky. So thank you. And Merry Christmas.
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